Maybe
your friend told you about it, which is often the case. Maybe you’ve heard word
of it floating around. Either way, that book interested someone, somewhere. But
how? And why?
One
of the most important things about a story is the idea. The spark that started you planning and writing in the
first place. Without a good, strong idea… the book will be dull and
uninteresting. However, the idea is not the only thing. You can have a great idea, but you won’t
capture your reader’s attention, they won’t know it’s a great idea, unless you craft the words in the right way to grab the reader and carry them away
with your characters.
That
makes me think of another thing: Characters.
What’s a book without great, strong characters? A brave, kind, noble MC… a
quirky, witty, funny best friend… a sparkling, daring love interest… The
characters are what give the story meaning. They get the readers rooting for
the right side. At least, hopefully. Unless you have one of those twisted, evil
little MCs who actually betrays them and… well, you get the point.
So
I’m going to do a little series on What makes you keep reading! Today we’ll
cover number one- The Idea.
Why
did you pick up the pencil? (Or, since we’re in the 21 century here, why did you
open a new word document?) … Nah, we’ll stick to the pencil. ;)
Something
popped into your head. Maybe while you were at school, or in the shower (it
happens), or at a sleepover, or in your bed room lying on your bed… or maybe in
a dream! The idea, that great idea, made you want to pick up the pencil and
share it to the world. But sadly, the idea is really, often, the easiest part.
I can bet you that at least one out of ten of your friends has started a book.
Five out of ten have come up with a great idea, but haven’t bothered putting it
down on paper. And probably all of your friends could make up an idea if they
wanted, but putting it on the paper is the hard part.
The
Story Problem and the story world are two of the main keys to having a great
idea. When I say story world, that just means the setting. You don’t have to
actually have a whole world to write in, but it can be wherever. From Paris to
Kansas.
The
story problem is what gets the action happening. Something happens to your MC
(Main Character) and they have to set off on an adventure to take care of that
problem. The problem is what gives the idea action and speed. You don’t want
your story moving like a slug.
Let’s
use harry potter for example. We’ll stick to book one, which I’m sure just
about everyone has seen or read. In the beginning, Harry Potter, an 11 year old
orphan, is introduced. Young Harry hates his aunt and uncle and cousin (which
is a problem, but not the main one) and longs for a life away from number 4
Privet Drive.
He
gets his wish when a giant named Hagrid busts down his front door, which is
also a problem, but still not the main one we’re searching for. Harry gets his
supplies, and THEN he hears (from Hagrid) about the problem. The main story
problem. The one that the whole book, and series, revolves around.
Voldemort,
a mass murderer and dark wizard, killed his parents, and tried to kill him, but
was supposedly “defeated” after a failed attempt. Later, you find out he’s
coming back.
This,
my friends, is the sparkling story problem. Harry must fight Lord Voldemort to
help save those he loves. Sometimes, half the book will pass and you still have
no idea what the main story problem is. This can be good, if done right, but
bad if you don’t throw some interesting stuff in there to keep the story
moving.
The
second key to a great story idea is the setting. The story world. In Harry
Potter, we are sent to the magical school of Hogwarts, a fantastical castle
with moving stairs, talking paintings, moody ghosts, secret passages, three headed
dogs and tons of other monsters in the forbidden forest. This gives the story
an air of mystery and suspense. Who knows what could be waiting around the
corner of a forbidden corridor for Harry and his friends?
A
good, strong setting gives you a lot to work with. You can practically throw
whatever you want at your characters if you have the right setting. Put them in
a strange city or strand them on a mysterious island. Often, the setting and
the idea can work together to make the story problem. Like having your
character get shipwrecked on a mysterious island. Island-setting.
Shipwrecked-Well… that’s slightly problematic… don’t you think? ;)
I
hope this post has served helpful to you! I will write about the art of
crafting your words next post!
Lots
of love, Hannah W.
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